View guidelines for application here: https://nalac.app.box.com/s/x14v2xf0ipfihmzii3zcz83lv44akgu7
We are excited to invite you to join AFI Backlot – the new, exclusive networking platform for AFI Alumni! There’s also exclusive career opportunities that are only listed in Backlot! You can register in under two minutes by following the simple steps below:
- Visit backlot.afi.com
- On first visit, click ‘Get Started’
- Fill out the information requested, including name and email
- Choose your own unique password
- Verify your email address when prompted
- Upon approval, start using the site!
Looking forward to seeing you there!
Did you know that, as an alumnus, you receive lifetime borrowing privileges from the Louis B. Mayer Library? Library accounts for AFI Conservatory Alumni and DWW Alumnae are complementary and include the following services based on availability:
- Facility access to the Louis B. Mayer Library and the Computer Lab
- Borrowing of circulating material, up to three (3) items at a time regardless of format
- Use of non-circulating Library materials
- On-site access to Thesis, Cycle, and DWW films
- Remote access to the Library online catalog, LibraryWorld
- Use of Library and Computer Lab hardware and software
- Access can be requested from Library or Computer Lab Staff
- Priority will be given to current Fellows
- In-person reference assistance
- Access to electronic resources (only available on Library computers)
Important note: Photo identification must be presented when borrowing Library materials. Use of printers in the Library and the Computer Lab is prohibited. Alumni also receive discounted rental rates for screening rooms on the AFI Campus. Learn more about all of the exclusive benefits and special discounts that come with being an AFI alumnus.
It is approx. 2-3 shooting days in Los Angeles compensation depends on experience. Reels required to be sent by email, shooting starts late in September.
All episodes of this documentary series has gained official selections at domestic and international film festivals.
If interested, reach out to Eve Jablonkay, firstname.lastname@example.org
Department: Content Development & Production
Work with a Purpose!
Public Media Group of Southern California (PMGSC) is looking for a talented Senior Production Coordinator to join our growing organization. If you are excellent at creating smart, original content for broadcast and digital platforms, with unscripted video production and occasional studio production, then submit your cover letter and resume today!
About Public Media Group of Southern California (PMGSC)
Public Media Group of Southern California (KCET, PBS SoCal and LINK TV) tell stories that matter through original programs that reflect the diversity of the region, and the full schedule of trusted PBS programs. Our content channels – KCET and PBS SoCal – are available for free on internet – connected screens and seven local broadcast channels. LINK TV can be accessed through national satellite channels.
A donor- supported community institution, PMGSC sparks the sharing of ideas at in-person cultural events and community conversations and delivers social impact through services that prepare our most vulnerable children for school.
The Senior Production Coordinator is responsible for assisting Producers, Associate Producers, and Production Management in the creation of smart, original content for multiple distribution channels—on broadcast and digital platforms—with a heavy emphasis on unscripted video production, as well as occasional studio production. The ideal candidate has the ability to work collaboratively on high-quality digital video productions. They excel in working in a fast-paced environment and are excellent collaborators with rigorous attention to detail and organization.
- Facilitate communication between core team members on their assigned show/project(s)—particularly the Producer, Associate Producer, Production Manager and Production Assistants.
- Manage the coordination of production tasks on their assigned show/project(s) as directed by the Producer, including:
- Field production as necessary (includes running audio, assisting camera and/or grip, script supervising, etc.).
- Knowledge of film permitting and coordination for on-location production.
- Organizing off-site productions in conjunction with Production Management.
- Responsible for all releases (personal, material and location) pertaining to production.
- Post production as necessary (includes logging footage, transcribing, creating graphic files, editing, media management, etc.).
- Tracking and processing licenses for sourced material (footage, archival photos and video, music, etc.).
- Continuously monitor the status of their show/project(s) using Production Department collaborative tools: Outlook calendars, Sharepoint/Microsoft OneDrive, the Producer Checklist, etc.
- Assist in communication with Co-Production Companies which includes:
- Help Producer track Co-Pro budgets and expenses.
- Assist Producer in creative collaboration with Co-Pro team members (includes collaboratively creating treatments, scripts, paper edits, etc.).
- Assist Producer in managing Co-Pro production and post schedules.
- Assist Producer in shepherding project through every stage: development, pre-production, production, post, delivery, air, and archiving.
- Responsible for production wrap binder in conjunction with Production Managers
- Manage project and department calendars
- Set meeting agendas
- Take notes in meetings when present
- Support department needs for creating show sizzles and presentations
- Professional judgement for handling confidential information
- Collaborate with Production Managers to meet the needs of cast and crew
- Work closely and collaboratively with colleagues to jointly meet company-wide goals.
- Arrange meetings and travel
- Attend meetings and events as requested, including evenings and weekends.
- Performs other duties as requested.
- 2-3 years’ experience as a production coordinator on high quality video content, particularly the production, pre-production and post-production of long form documentary, episodic series and/or digital programming.
- Basic knowledge of documentary field production processes: lighting, sound, camera.
- Basic knowledge of digital film/video post-production processes:
- Proficient in editing in at least one NLE software application: either Adobe Premiere or AVID.
- Experience working in LOG workflows for filming/editing/color correcting.
- Experience in using digital cinema cameras (eg. Arri Amira and Alexa Mini, RED cameras, Canon C300, and Sony FS7).
- Experience in sourcing and securing licensing rights for music, acquired footage, archival photos and videos.
- Excellent writing and editing skills.
- Proficient in Adobe Creative Suite.
- Strong attention to detail. Ability to multi-task with accuracy and to meet deadlines.
- Excellent interpersonal and communication skills.
Education and Work Experience
- Bachelor’s degree; film, television, media or related field (preferred)
- 2-3 years of production experience in related roles.
While performing the duties of this job, it is regularly required to sit; use hands to finger, handle, or feel objects, tools, or controls reach with hands and arms; and talk or hear. The employee is also required to stand and walk. The employee must occasionally lift and/or move up to 50 pounds.
The working conditions are primarily a telecommuting setting. However, the position will require off-site travel to donors and/or other such locations as necessary. Depending on the position, job duties, and subject to the discretion of the company, the position may be telecommuting eligible in whole or part (Please see the telecommuting policy and telecommuting agreement for additional information concerning telecommuting terms and work environment.)
Equal Opportunity Employer
PMGSC provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regards to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state, or local laws. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation and training.
Click here to apply and for more details.
The Department of Film and Electronic Arts at California State University, Long Beach invites applications for an Assistant Professor of Screenwriting with expertise in film and television writing.
Click here to apply and for more details.
Free class: Screenplay Structure for Non-Writers class, Sep 16 and 17
Taught by AFI Screenwriting Alumnus and AFI Screenwriting Faculty member, Cari Daly.
Do you wish you understood movie and tv structure better? Do you want to be able to give smarter notes to collaborators or select stronger scripts? Do you feel like you don’t always speak the same language as your writers? Do you want to better prioritize your department’s time, money and crew hours?
Then this class is for you!
Screenplay Structure for Non-writers is designed for producers, directors, editors, DPs and PDs to bridge the gap between departments and make even stronger collaborators!
Since this is the first time teaching this particular class I’m teaching it for FREE!
We will cover the core design of film and television from theme to character to world, plus the flexible, emotional structure that lurks inside dramatic literature, from the most mainstream to the most independent, for both drama and comedy. We will also look at scenes and emotional arc from a writer’s POV…plus a whole lot more!
It’s a two-day lightning class on AFI campus, Saturday, September 16 and Sunday, September 17, from 10 AM to 1 PM both days.
Email email@example.com to register!
So come join us, hang out with fellow alums, and get some continuing education!!
View guidelines for application here: https://nalac.app.box.com/s/x14v2xf0ipfihmzii3zcz83lv44akgu7
The winner will receive a grand prize of $5,000.
The winner and nine finalists will be considered for representation by the agencies CAA, Circle of Confusion, Energy Entertainment, Exile Entertainment, the Gersh Agency, ICM, Oasis Media Group, the Radmin Company, UTA, and William Morris Endeavor. Their scripts will be considered for option and development by the production companies American Zoetrope, Anonymous Content, Array, Cats & Dogs Productions, Double Hope Films, Fox Searchlight, Groundswell Productions, Icon Films, IFC Films, Jean Doumanian Productions, Lionsgate, LIT Entertainment Group, Lleju Productions, Number 9 Films, Oasis Media Group, Pretty Pictures Productions, Roserock Films, Sony Pictures Classics, Verisimilitude, and Working Title Films.
The FINAL DEADLINE is September 5, 2023, at 11:59:59 PST.
One winning script and nine finalists will be announced on February 12, 2024.
Semi- and quarterfinalists will be announced at the same time.
The standard fee is $50.
RULES, DETAILS, AND QUESTIONS:
Before you enter the competition, please read the Official Rules. Answers to commonly asked questions can be found on our FAQ page. With further questions, please email firstname.lastname@example.org.
Backstage Casting Services AFI Alumni can access Backstage’s casting services with the promo code: AFIALUM Student Filmmaker/Emerging Filmmaker Office Hours are also available for additional help or have casting questions. 11:00-11:45am PST every Tuesday at: https://backstage.zoom.us/j/86842171638.
A new co-writing space in the heart of the Culver City Arts District, Writers Blok provides structure, support and community for writers. Modeled after a gym or a yoga studio, this dedicated writing space is available for writing sessions seven days a week. If you’re looking for a place to get work done where you’ll also find a great community of writers, you’re in luck. Writers Blok is offering a free session to AFI alumni.
Need to find film-friendly locations in the Los Angeles area? Visit Giggster.com to search and book diverse commercial, residential and studio locations.
Kitsplit is a community of tens of thousands of vetted filmmakers and production companies renting gear to and from each other. It has been called “the AirBNB for creative equipment” by Forbes and Fast Company. Kitsplit invites AFI alumni to join as LA Founding Members and list gear with exclusive benefits. Those who reach out in August will receive free concierge service — email your gear list to email@example.com and mention AFI. To receive 20% off your first rental, sign up for KitSplit and use exclusive code AFI15 at checkout.
Bertha BRITDOC Documentary Journalism Fund — ongoing Film Independent Labs & Programs – ongoing Film Independent Camera Grant – ongoing Film Independent Fiscal Sponsorship — rolling Film Independent Sloan Distribution Grant — rolling Ford Foundation: JustFilms — ongoing Hot Docs Ted Rogers Fund — rolling ITVS Open Call — ongoing Jerome Foundation Grant Programs — ongoing NewFilmmakers Los Angeles — ongoing nextPix/firstPix Crowd Funding Grants — ongoing Panavision New Filmmaker Program — ongoing Roadmap Writers Diversity Initiative Program — ongoing Scottish Documentary Institute Consultancies — ongoing Screen Australia: Feature Film Production Program — ongoing Screen Australia: Documentary Producer Equity Program — ongoing Visions Sud Est Fund — ongoing World Cinema Fund: Distribution — ongoing
UTA ENTERTAINMENT JOB LIST
The UTA Job List is refreshed weekly. Simply bookmark the link below or reference the newsletter and use it whenever you wish to view the updated list. CLICK HERE FOR JOB LIST NOTE: The UTA Job List is intended for the personal use of its recipients. Posting of this list or any information derived from the list on any website or message board in its entirety or in part without the express written permission of the list administrator is neither permitted nor within the spirit of the efforts put into its creation. All rights are reserved. ©2023