News

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Planning a meeting, table read or rehearsal? As an AFI Conservatory Alum, you can book our versatile conference and multi-purpose rooms at the Lawrence Herbert Alumni Center. Please review the updated campus access website and request a campus visit.

 

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Looking for collaborators, industry insights or opportunities to mentor fellow AFI Alumni? Stay connected with the latest happenings in the AFI community by signing up for AFI Backlot. It’s your space to share, connect and strengthen our creative network!

 

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AFI FRIDAY UPDATE

 

AFI announced the AFI AWARDS 2025 honorees. The recipients include 10 outstanding motion pictures and 10 outstanding television programs deemed culturally and artistically representative of this year’s most significant achievements in the art of the moving image. Congratulations to the AFI Conservatory Alumni whose projects are among this year’s celebrated selections.

 

AFI MOTION PICTURES OF THE YEAR

 

AVATAR: FIRE AND ASH
-Aashrita Kamath (AFI Class of 2013), Supervising Art Director
-Haisu Wang (AFI Class of 2014), Set Designer
-Daniel Frank (AFI Class of 2015), Set Designer
-Anne Costa (AFI Class of 2010) Assistant Art Director

 

BUGONIA
-Ari Aster (AFI Class of 2010), Producer

 

HAMNET
-Affonso Gonçalves (AFI Class of 1993), Editor

 

ONE BATTLE AFTER ANOTHER
-Michael Bauman (AFI Class of 1992), Cinematographer

 

SINNERS
-Autumn Durald Arkapaw (AFI Class of 2009), Cinematographer

 

AFI TELEVISION PROGRAMS OF THE YEAR

 

ANDOR
– John Roesch (AFI Class of 1977), Foley Artist

 

DEATH BY LIGHTNING
-Anna J. Hauger (AFI Class of 2009), Editor

 

THE PITT
-Uta Briesewitz (AFI Class of 1994), Director
-Johanna Coelho (AFI Class of 2013), Cinematographer

 

PLUR1BUS
-Gandja Monteiro (DWW Class of 2018), Director
-Vera Blasi (AFI Class of 1991), Executive Story Editor, Screenwriter

 

SEVERANCE
-Uta Briesewitz (AFI Class of 1994), Director
-Wei-Ning Yu (AFI Class of 2010), Screenwriter

 

TASK
-Brad Ingelsby (AFI Class of 2005), Creator, Executive Producer, Screenwriter
-Keith Cunningham (AFI Class of 1990), Production Designer

 

AFI Alum Autumn Durald Arkapaw (Class of 2009) was named to TheWrap’s list of 51 women who made a difference in 2025. The cinematographer also won the New York Film Critics Award for Cinematography for her work on SINNERS, with Variety noting she could “make history as the first woman to win the Oscar® for cinematography.” In addition, the National Board of Review recognized her work on the film with an award for Outstanding Achievement in Cinematography. Arkapaw was also featured in an IndieWire interview this week, which describes SINNERS as “the most visually stunning film of the year.”

 

Former AFI Cinematography Faculty Member and AFI Alum Tal Lazar (Class of 2009) has a new book, “Cinematography Beyond Technique: A Story-First Approach to Moving Images,” now available for pre-order. The book’s perspective on visual storytelling reframes cinematography as a language driven by narrative rather than solely a technical craft.

 

Stanley Brooks (AFI Class of 1979) has released his latest directorial effort, TONI BRAXTON’S HE WASN’T MAN ENOUGH, now available for streaming on the Lifetime website and app. Check out the trailer here: https://play.mylifetime.com/movies/he-wasnt-man-enough/preview-he-wasnt-man-enough.

 

AFI Alum Omar Kamara (AFI Class of 2020, AFRICAN GIANTS, MASS AVE) is part of the inaugural cohort of Highways Lab fellows. Two organizations supporting emerging filmmakers—Rideback RISE and Highways Lab—have partnered with Adobe to launch career development programs. The initiatives include a $50,000 grant for short films and mentorship for bilingual mid-career editors.

 

Mattson Tomlin (AFI Class of 2014) will co-write the script for THE BATMAN 2 with filmmaker Matt Reeves. The film is set to see the return of Robert Pattinson as Batman/Bruce Wayne, and Scarlett Johansson is in final negotiations to join the cast.

 

Louie Provost (AFI Class of 2006) and Peter Kang are overseeing Sony’s new adaptation of James Islington’s fantasy series “Hierarchy.” The acquisition comes as the second book, “The Strength of the Few,” tops the New York Times best-seller list.

 

Shortlists in 11 below-the-line categories have been announced for the 31st Critics Choice Awards and AFI Alumni are among the nominees. Each list—covering areas from Best Casting and Ensemble to Best Visual Effects—includes 12 achievements. Full nominations for will be announced on December 5.

 

BEST CINEMATOGRAPHY

 

ONE BATTLE AFTER ANOTHER
-Michael Bauman (AFI Class of 1992), Cinematographer

 

THE PLAGUE
-Steven M. Breckon (AFI Class of 2017), Cinematographer

 

SINNERS
-Autumn Durald Arkapaw (AFI Class of 2009), Cinematographer

 

BEST PRODUCTION DESIGN

 

NO OTHER CHOICE
-Ryu Seong-hie (AFI Class of 1998), Production Designer

 

BEST EDITING

 

HAMNET
-Affonso Gonçalves (AFI Class of 1993), Editor

 

The nominations for the 2026 Film Independent Spirit Awards have been announced, and several projects showcasing the work of AFI Alumni are among the contenders.

 

BEST FEATURE

 

THE PLAGUE
-Charlie Polinger (AFI Class of 2017), Director, Writer
-Lucy McKendrick (AFI Class of 2016), Producer
-Matthew Pancer (AFI Class of 2017), Producer
-Steven Breckon (AFI Class of 2017), Cinematographer

 

BEST FIRST FEATURE

 

EAST OF WALL
-Scott Frank (AFI Class of 1984), Executive Producer
-Austin Shelton (AFI Class of 2018), Cinematographer
-Zane Kalnina (AFI Class of 2020), Co-producer

 

LURKER
-Charlie McDowell (AFI Class of 2006), Producer
-David Kashevaroff (AFI Class of 2004), Editor

 

ONE OF THEM DAYS
-Deniese Davis (AFI Class of 2012), Producer
-Ava Berkofsky (AFI Class of 2013), Cinematographer
-Monique Dias (AFI Class of 2012), Production Designer

 

BEST DOCUMENTARY

 

COME SEE ME IN THE LIGHT
-Berenice Chavez (AFI Class of 2016), Editor

 

BEST NEW SCRIPTED SERIES

 

FOREVER
-Chris Manley (AFI Class of 1994), Cinematographer
-Karoliina Tuovinen (AFI Class of 2007), Editor
-Naomi Sunrise Filoramo (AFI Class of 2008), Editor
-Angela Latimer (AFI Class of 2013), Editor

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